|| Anne of Cleves ||
|| Political Importance ||
|| Clothing Elements ||
||Clothing Elements ||
|| Visual References ||
|| Written References ||
||’The Frazzled Frau’||
||Artists by Name||
Quick search of Wiki Commons for artists of the Northern Renaissance
||Artists by Region||
||Christoph Weiditz||
While the first codex by Weiditz has been well recognised as a source of accurate clothing items his second work has not received the same regard.
||North Rhine Westphalia||
Much of this research was created to better understand how Anne of Cleves was received in England and in Europe, and to understand her situation both before her marriage and after.
||The Frock Chick Files||
||The Renaissance Frock||
1519 Kolner Haus
Note: This is a supplement to my Survey in which all items are removed from context. It is recommended that the Survey is read first.
1520s- Mary of Hungary
The gown has been dated to the 1520s based on the fabric weave, the style, and probable connection to Mary of Hungary and Louis II. This connection is not yet substantiated by physical, written, or visual evidence outside the aforementioned style and the potential for the garments to have been presented as gifts to the Mariazell shrine by the royal couple while on a pilgrimage around the time of their wedding.
1540s (?): Schuste, Meisterstückbuch
1545- 1568: Nidermayr, Meisterstückbüch
1567-Breslau Polish cutting guide
1590 (?): Leonfeldner Schnittbuch
1590 (?): Schneidermusterbuch (Enns)
1628 (?): Tailors book of Poznań
Renowacja powtórna sztuk krawieckich, 1747 r. – Archiwum Państwowe, Poznań, 1954 r.
